Category Archives: Media: Movies

Feature Presentation: The BFG

The_BFG_posterThe BFG starring Mark Rylance, Ruby Barnhill, Penelope Wilton, Jermaine Clement, Rebecca Hall, Rafe Spall, Bill Hader, Ólafur Darri Ólafsson, Adam Godley, Michael Adamthwaite, Daniel Bacon, Chris Gibbs, Paul Moniz de Sa, and Jonathan Holmes

Amblin Entertainment/Walt Disney Pictures/Walden Media, 2016. Rated PG.

Synopsis: When Sophie witnesses the appearance of a Giant roaming the streets from the window of the orphanage, she is snatched from her bed and whisked away to Giant Country – lest she be telling anyone about what she has seen. But the Giant who kidnapped her turns out to be friendly, despite his size, and the two begin a friendship that will lead them to an adventure neither of them could have ever dreamed of.

I tend to be a purist when it comes to the book versus movie debate – I’m more apt to choose the book over the movie because I feel like the story becomes warped in its journey from page to screen. I perhaps wrongly anticipated that this would not be the case with The BFG; but then again, look at what happened with James and the Giant Peach (which had absolutely no resemblance to its source material after about 15 minutes). The BFG thankfully kept a grand majority of the main plot points: Sophie is an orphan who is kidnapped by the BFG, who lives in Giant Country in the company of some rather more unsavory child eating Giants and the two enlist the help of the Queen of England to help stop the child-snatching once and for all. The screenwriters inserted a bit in which the BFG had another child companion before Sophie that I suppose was meant to better flesh out the BFG as a character, but it made him more of a tragic hero than an unwitting hero. The BFG is meant to be a fun-loving but misunderstood character that overcomes bullies and becomes a functioning member of society; it doesn’t feel like the same story or character when he’s given a tragic past. I liked Ruby Barnhill as Sophie, but I spent a lot of the movie irked by the fact that she was trying to be Mara Wilson. True, she’s a girl who exhibits wisdom beyond her young age, but the movie makes her out to be more of a caretaker – she picks up the mail the matron forgets off the front mat, locks the door, and turns out the lights after everyone else is gone to bed. She seems to lack the child-like, earnest nature that was so endearing in the book. Even though I felt like the film fell short, there are still a lot of entertaining moments that will no doubt get younger viewers to giggle, most notably the scenes involving Frobscottle – a beverage that fizzes down and produces flatulence of epic proportions. So, if you were hoping for a great film version of our favorite childhood book, you’re going to be disappointed. If you are searching for a great family film with a positive message, then this is going to be right up your alley.

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Feature Presentation: Moana

uk_moanaMoana starring the voices of Auli’i Cravalho, Dwayne Johnson, Rachel Hall, Temuera Morrison, Jemaine Clement, Nicole Scherzinger, and Alan Tudyk

Walt Disney Animation Studios, 2016. Rated PG.

Synopsis: Moana Waialiki is a sea voyaging enthusiast and the only daughter of a chief in a long line of navigators. When her island’s fishermen can’t catch any fish and the crops fail, she learns that the demigod Maui caused the blight by stealing the heart of the goddess, Te Fiti. The only way to heal the island is to persuade Maui to return Te Fiti’s heart, so Moana sets off on an epic journey across the Pacific. The film is based on stories from Polynesian mythology. – from IMDB

I’m always a fan of ancient cultures and myths being woven into our more modern tapestry. In a lot of ways, I feel like this puts us more in touch with the world at large and gives insight into where we came from, and perhaps more importantly, where we will go. There’s also something to be said about the message that while it might be uncomfortable to leave home/safe spaces/the familiar, we can achieve even more both personally and culturally when we stray off a beaten path. I’m reminded of the Laurel Thatcher Ulrich quote, “Well-behaved women seldom make history”. In many respects, Moana is a well-behaved young lady: she desires to do what is best for her people and to follow the path that has been determined for her. And yet, she is still plagued by the classic dilemma of doing what is right by her family and doing what she feels is right for her, to help her become the woman she wants to be. Clearly her desire to get in touch with her voyager roots and venture beyond the island reef wins out, or this would have been a short movie. And like the Disney heroines before her, there’s a couple of musical numbers that assert her confidence in her decision to venture out on the ocean and the uncertainty of the success her journey may or may not bring. She still has moments of despair, but it is her stubbornness and quick wit that help her push through the obstacles that hinder her voyage. Despite the range of reactions to Moana, I feel like the film did a credit to the Polynesian culture and made it come even more alive for the viewer. I liked that native dialects were used in some of the songs and that the animators made trips through the islands in the South Pacific to do their research. It’s a coming-of-age story that encourages us once again to discover who we are inside and how we can share our purpose and passions with the world around us.

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Feature Presentation: The Lego Batman Movie Review

legobatmanonesheetThe Lego Batman Movie starring the voices of Will Arnett, Michael Cera, Zach Galifianakis, Rosario Dawson, Ralph Fiennes, and Jenny Slate

DC Entertainment/Warner Bros./Warner Bros. Animation/Vertigo Entertainment, 2017. Rated PG

Synopsis: When Gotham’s bad guys surrender themselves, it looks like Batman might be out of his post as vigilante crime fighter. Once heralded for his heroics and bravery, he’s even more broody than usual now that there’s no criminals wreaking havoc. Plus, there’s this kid he adopted at a city gala for the police commissioner’s retirement that he isn’t sure what to do with that he’s maybe sort of hoping he can send back to the orphanage. So when Joker hatches a plan to break the city apart (literally), it’s going to be up to Batman, Alfred, Robin, and Barbara Gordon to save the day.

I love that Will Arnett is reprising his role as Batman because he is able to bring a distinct humor to a traditionally much darker character. Granted, this is  family movie, but it’s still refreshing to see Batman’s more childish side – something that is prevalent throughout Lego Batman. The film makes reference to all of Batman’s previous movie and television appearances: Alfred makes note of Batman’s many ‘phases’ and there is a bit at the end in which words like “Bam!”, “Pow!”, and “Biff!” appear in the air as Batman and Robin are fighting (spoiler: it’s a reference to the 1960s Batman television series with Adam West). These may go over the heads of younger viewers, but for those of us that have followed Batman in his many incarnations will get a kick. Viewers will also be amused to note that Siri (the iPhone personal assistant) is the voice of Batman’s computer and she seems to have developed a little bit of a personality to offset Batman’s sarcasm. I also loved Michael Cera’s Robin/Dick Grayson because he is such an innocent overachiever. He, like Batman, wants love and attention, but since Batman seems to be afraid of having a family and letting people in, Robin is there to show him some unconditional love. Alfred is still the most awesome butler ever and his ability to ‘handle’ his adopted son/employer is a bit of a running gag as well. But I think what really sold me at the end was the element of friendship and friends being the family we choose – there’s even a catchy pop song to that effect at the end to rival “Everything is Awesome”. It’s sure to entertain viewers of all ages.

 

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Feature Presentation: Finding Dory

Finding_DoryFinding Dory starring the voices of Ellen DeGeneres, Albert Brooks, Hayden Rolence, Ed O’Neill, Kaitlin Olson, Ty Burrell, Diane Keaton, Eugene Levy, Idris Elba, and Dominic West

Pixar Animation Studios/Walt Disney Pictures, 2016. Rated PG

Synopsis: Dory (Ellen DeGeneres) is a Blue Tang that suffers from short-term memory loss, something that is somewhat of a conundrum to her other fish companions. So when Dory remembers her family, she becomes convinced that she must cross the ocean to find them. Reluctantly accompanied by Marlin (Albert Brooks) and Nemo (Hayden Rolence), Dory journeys to the Marine Life Institute in search of the mother and father she left behind.

The internet memes weren’t lying when they joked about just how much non-Millenials have been waiting for this film. To really truly appreciate this movie, you had to have seen Finding Nemo, and I’m not just saying that because portions of the film are highlighted in Finding Dory. Finding Nemo is when we are introduced to and fall in love with Dory. Yes, she is forgetful; yes, she is somewhat naive; but despite her flaws, she heart and the creativity to be able to keep Marlin going as he searches for Nemo. She applies this same tenacity to her own search for her family after suddenly being able to recall portions of her younger years. Dory’s ability to consistently recall anything is something of an anomaly (“P. Sherman 42 Wallaby Way Sydney” being the only other thing she has been able to recall to date, aside from names of her fish companions), and the disjointed nature by which she is recalling things at first seems like a reinforcement of her memory issues. But as the film goes on, we see that there is a sort of puzzle that Dory is solving as she searches through the Marine Life Institute for her parents and begins to recall the circumstances by which she was initially separated from them. There are a few scary moments, one in particular involving a giant squid in a field of sunken ships and another in which the characters are going through a rather perilous path of pipes. While I enjoyed the film, my one criticism is that it seemed to lack the emotional punch of its predecessor. There are a lot of heightened emotions involved with Dory’s search for her family, but for some reason it didn’t grab at my heartstrings the same way. Despite the lack of tear-jerking moments (for my part), it’s a fun, humorous story about the meaning of family and being able to find your way home.

 

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Feature Presentation: Minions

minionsMinions starring the voices of Pierre Coffin, Geoffrey Rush, Sandra Bullock, Jon Hamm, Michael Keaton, Allison Janney, Steve Coogan, and Jennifer Saunders

Illumination Entertainment, 2015. Rated PG.

Synopsis: Ever since the dawn of time, the Minions have lived to serve the most despicable of masters. From T. rex to Napoleon, the easily distracted tribe has helped the biggest and the baddest of villains. Now, join protective leader Kevin, teenage rebel Stuart and lovable little Bob on a global road trip where they’ll earn a shot to work for a new boss-the world’s first female super-villain-and try to save all of Minionkind…from annihilation. – from Universal Pictures via IMDb

This movie relies quite a bit on slapstick and physical humor, some of which may go over the heads of younger viewers. And yet, it’s another film that makes you wonder who these animated family films are really aimed toward: the children or their parents? The latest installment in the Despicable Me universe follows the lives of the minions before they became Gru’s right hand men…or whatever. Since the dawn of time, the minions have been serving master after master, some of them working out a little better than others. I thought it was amusing that there was a villainy conference at which villains could show off their dastardly deeds and minions could meet with recruiters to try and find the best match. Despite the fact that most of the dialogue spoken by the Minions is largely indistinguishable, it’s hard not to root for the little yellow…whatever they are. Bullock and Hamm are hardly recognizable as super-villain Scarlet Overkill and her husband Herb. The couple is just as amusing as the minions themselves: Scarlet clearly wears the pants, and Herb seems to be okay with that – even though he could probably be a villain all on his own given his dastardly inventions. The plot’s humor is evenly split between more adult jokes and kid jokes, though as I mentioned before, older viewers may get more of a kick out of it than its target audience. It’s a story about fun, adventure, and the pursuit of that which is truly despicable.

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Feature Presentation: Inside Out

mv5botgxmdqwmdk0of5bml5banbnxkftztgwnju5otg2nde-_v1_sx640_sy720_Inside Out starring the voices of Amy Poehler, Phyllis Smith, Bill Hader, Lewis Black, Mindy Kaling, Kaitlyn Dias, Diane Lane, Kyle MachLachlan, and Richard Kind

Walt Disney Pictures/Pixar Animation Studios, 2015. Rated PG.

Synopsis: Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school. – from IMDb

This is one of those movies that my coworkers kept telling me to see and for some reason or another, I kept putting it off. And then, of course, after I saw it, I was sorry it took me so long. This is a family film with a wide appeal that will take you on an emotional roller coaster and make you think about how you process your own thoughts. It puts a different spin on what goes on inside your head as you go through your day and how you handle the changes in your life. It personifies the science, in a sense, and it makes sense. It makes sense that there would be these little people in our heads that help us process our thoughts and emotions. It shows what happens when there is an absence or suppression of emotions, what drives us to make the decisions we do. The premise is surprisingly believable for being a film largely ground in fiction. I loved Poehler as Joy and Smith as Sadness and the two women play off of each other very well. Smith (whom older viewers may recognize from The Office) has a delightfully melancholy voice that gives Sadness a bit of humor, though it typically represents a very low emotion. I also loved the fact that Black (who is an angry comedian) is Anger. Even though the actors aren’t actually physically interacting together, the cast feeds into each other and really bring each of the emotions to life. I kept telling myself that I wasn’t going to cry during this movie, but I have a feeling even the most stone cold of persons may shed a tear or two remembering their own childhoods and their own lost/faded memories. It’s a fun, funny, and thought-provoking film that is sure to please the crowd.

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Feature Presentation: Mockingjay, Part I

mockingjay-1-posterThe Hunger Games: Mockingjay, Part I starring Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Willow Shields, Paula Malcomson, Woody Harrelson, Elizabeth Banks, Philip Seymour Hoffman, Jeffrey Wright, Sam Clafin, Jena Malone, Stanley Tucci, Julianne Moore, and Donald Sutherland

Lionsgate, 2014. Rated PG-13

Synopsis: The country is in chaos after the 75th Hunger Games. District 12 has been destroyed. The other districts have drawn battle lines, some siding with the Capital and others with the rebels of District 13, thought to have been wiped off the map. Katniss is trying to keep herself together after learning that Peeta has been captured and used by President Snow to try and draw her out. With the world falling apart around her and inside her, Katniss must find the energy to become the Mockingjay, a symbol of hope for those who fight.

I’ll spare the reader my rant about how Mockingjay didn’t need to be two movies but because of consumerism blah blah blah. That aside, this second-to-last installment in The Hunger Games trilogy had a lot going for it, but I think largely because of the decision to split the film into two parts the story lost a lot of its power (so to speak). Yes, this gave the filmmakers a little more license to show the viewer some corners of the districts we don’t get to see in the books and there’s a more extended scene involving a rescue toward the end of the film that’s exciting. Yet, I left the theater thinking about just how much fluff was inserted just for the sake of squeezing as much money out of this thing as possible. There’s books, you know, it’s not like we don’t know what happens. There’s not a whole lot you can hold back from us at this point. Lawrence is still making us believe in Katniss, but unfortunately because Katniss’s character has become so flat, we almost-kinda-sorta don’t care much about her anymore. She’s lost most of her drive with Peeta (Josh Hutcherson) largely out of the picture and Gale (the always gorgeous Liam Hemsworth) doesn’t seem to be helping when he tries to console her. The viewer is almost frustrated watching the movie (or at least, I was) because we want to reach through the screen and shake Katniss until she snaps out of it even though we know that she won’t without Peeta. If that’s not some element of foreshadowing, I don’t know what is. The most redeeming scene in the film is the one in which Katniss sings ‘The Hanging Tree’, which in the following scenes becomes an anthem for the rebels still struggling under control of the Capital. The song is depressing, but it’s moving to see Lawrence singing in a rare moment of peace between battles. I’m hoping Part II has a little more of the substance we were missing from Part I.

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