Tag Archives: book to movie

The City of Ember: The Graphic Novel Review

city_of_ember_graphic_novelThe City of Ember: The Graphic Novel by Jeanne DuPrau, adapted by Dallas Middaugh, art by Niklas Asker

Random House Books for Young Readers, 2012. 978-0375867934

Synopsis: It is said that the city of Ember is the only light in the dark world. Without Ember’s great lamps, the darkness would last forever. Now, the lights are flickering, and supplies are running low. When Lina and Doon find an mysterious document that might hold the answer, they must decipher its meaning before it’s too late. – from the back cover

Why I picked it up: I loved the non-graphic novel version and I was curious about the adaptation.

Why I finished it: This is one in a long line of post-apocalyptic stories that have come out in the last ten years that has made an impression on myself as well as other readers. It combines elements from the classics The Giver, A Wrinkle in Time, The Wizard of Oz and others, yet DuPrau manages to give the story its own distinctive mark. Lina and Doon are young people fighting against a system that their community is gradually coming to see as broken, both figuratively and literally. They are not extraordinary children, but they are clever, and it is this cleverness and resourcefulness that endears them to the reader. Middaugh’s adaptation captures the contrasting desperation and hope of the original novel, while Asker’s art brings to life the decaying city and the eventual illumination of Lina and Doon’s discovery of a world beyond the surrounding darkness. Asker uses muted colors that give each page a sort of sepia tone, as though the reader is perusing an old family photo album and truly capturing the journey from darkness into the light. I would recommend this book for fans of the novel and of course, for a reluctant reader. It’s a quick read that is sure to engage from the first page to the last.

Other related materials: The City of Ember by Jeanne DuPrau; The People of Sparks by Jeanne DuPrau; The Prophet of Yonwood by Jeanne DuPrau; The Diamond of Darkhold by Jeanne Du Prau; A Wrinkle in Time: The Graphic Novel by Madeline L’Engle, adapted and illustrated by Hope Larson; Artemis Fowl: The Graphic Novel by Eoin Colfer, adapted by Andrew Donkin, art by Giovanni Rigano; The Hobbit graphic novel by J.R.R. Tolkien, adapted by Charles Dixon, illustrations by David Wenzel; The Golden Compass: The Graphic Novel by Philip Pullman; Anne of Green Gables: A Graphic Novel adapted by Mariah Marsden, illustrated by Brenna Thummler; Coraline: The Graphic Novel by Neil Gaiman, adapted and illustrated by P. Craig Russell; The Graveyard Book Graphic Novel by Neil Gaiman, adapted and illustrated by P. Craig Russell;  The Wizard of Oz: The Graphic Novel by L. Frank Baum, adapted and illustrated by Michael Cavallaro; Zita the Spacegirl books by Ben Hatke; Amulet series by Kazu Kibuishi

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What’s On: A Series of Unfortunate Events, Season 1

series-of-unfortunate-events-to-hit-netflix-462487A Series of Unfortunate Events, Season 1 starring Neil Patrick Harris, Patrick Warburton, Malina Weissman, Louis Hynes, Presley Smith, K. Todd Freeman, Usman Ally, Jacqueline Robbins, Joyce Robbins, Matty Cardaropole, and John DeSantis

Netflix, 2017.

Synopsis: After a fire kills their parents, Violet, Klaus, and Sunny Baudelaire are sent to live with their mysterious relative Count Olaf. The children soon learn that he is after their enormous fortune and will do anything to get his hands on it, leading the children on a series of harrowing adventures that will challenge them in ways they never thought possible.

Based on the book series by Lemony Snicket, the Netflix series could be considered a more concise follow-up to the 2004 film which was based on the first three books. Season One covers books 1-4, and each book is broken down into two episodes.  The two-episode format ensures that all the material from the books is included in the episode, and it feels much more concise than the film. The adaptation focuses more on the black humor element, making Lemony Snicket an actual character that narrates while navigating through the real-time events of the episodes. The range of the actors and the guest stars help to create the world of the books, and the actors themselves seem to have fun in their roles. A few elements have changed, but it helps to keep the viewer engaged and rounds out a few of the plot points from the books. The show plays up the V.F.D. as a secret society much more, creating characters that are operatives who are invested in helping the Baudelaires. It makes for an interesting bit of character development and creates a number of interesting plot devices as well. It’s definitely binge-worthy and fun for viewers of all ages.

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Simon vs. the Homo Sapiens Agenda Review

simon_vs_the_homo_sapiens_agendaSimon vs. the Homo Sapiens Agenda by Becky Albertalli

Balzer + Bray, 2015. 978-0062348678

Synopsis: Sixteen-year-old and not-so-openly gay Simon Spier prefers to save his drama for the school musical. But when an email falls into the wrong hands, his secret is at risk of being thrust into the spotlight. Now change-averse Simon has to find a way to step out of his comfort zone before he’s pushed out—without alienating his friends, compromising himself, or fumbling a shot at happiness with the most confusing, adorable guy he’s never met. – from Amazon.com

Why I picked it up: It was a selection for one of my book clubs that thought it prudent to read it before the movie hit theaters.

Why I finished it: The romance was definitely cute, but what really stuck with me was the underlying commentary about judging by appearances. Simon’s continual frustration (among other things) is regarding defaults, how we make assumptions based on a personal or societal norm and how the assumptions are not always true. To put this a little bit more in perspective, we do this as readers. We envision characters to be a certain way –  for example, white and straight – unless we are first given some sort of description or qualifier about the character. Simon and his classmates make default assumptions about each other as well, and the point Simon (and I) seems to be driving at is that we can’t judge people based on what feels comfortable to us. We should be able to embrace people for who they really are rather than what we want them to be. We can’t make assumptions based on appearances. Simon has chances to open up about his sexuality, but he’s constantly worried about how it will impact his relationships and whether or not the situation feels right. He has to play up the appearance his friends and classmates have of him, and yet, he knows that being out comes with its own problems with which he isn’t quite ready to deal. Albertalli is sending a message of cautious tolerance to her readers, something that is a big deal in today’s society. Think differently about people and be open to change, be open to being honest about yourself and your beliefs because things can get better.

Other related materials: The Upside of Unrequited by Becky Albertalli; Leah on the Offbeat by Becky Albertalli; What If It’s Us by Becky Albertalli and Adam Silvera; More Happy Than Not by Adam Silvera; Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz; Every Day by David Levithan; Boy Meets Boy by David Levithan; Two Boys Kissing by David Levithan; Autoboyography by Christina Lauren; A Boy Worth Knowing by Jennifer Cosgrove; The Dangerous Art of Blending In  by Angelo Surmelis; Been Here All Along by Sandy Hall; Openly Straight by Bill Konigsberg; Honestly Ben by Bill Konigsberg

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Feature Presentation: Love, Simon

love-simon-114713l-600x0-w-1e95bb68Love, Simon starring Nick Robinson, Katherine Langford, Alexandra Shipp, Jorge Lendeborg Jr., Logan Miller, Keiynan Lonsdale, Talitha Bateman, Jennifer Garner, Josh Duhamel, Tony Hale, Natasha Rothwell, Miles Heizer, Joey Pollari, Clark Moore, and Drew Starkey

Fox 2000 Pictures/Temple Hill Entertainment, 2018. Rated PG-13

Synopsis: Simon Spier keeps a huge secret from his friends, family, and all of his classmates: he’s gay. When that secret is threatened, Simon must face everyone and come to terms with his identity. – from IMDB

As a book worm, I’m understandably skeptical when it comes to movie adaptations of novels, but I appreciated the depth of the plot and that it conveys the same main premise of the novel without diverging off in a completely different direction. I’ll refrain from waxing poetic about the differences between the book and the movie, but I will say that some of the truncated events made the story somewhat easier to follow. I liked that the movie shows how Simon and Blue’s email exchange begins and some of their earlier emails to each other, the latter of which isn’t included in the earlier editions of the book. I was a little disappointed that the talent show at the end of the book wasn’t included in the movie, but I appreciated the alternative ending since it takes you to the same climactic moment. I also had to have a little bit of a laugh at the fact that the high school musical was ‘Cabaret’ since the story deals with issues of racism and sexism and is really quite dark in contrast to Simon. I was a little confused by the addition of Mr. Worth (even though I love Tony Hale), but I suppose they needed another adult to fill out the screenplay. The cast themselves is nothing short of fun and I liked seeing the new faces of other up and coming thespians. Robinson is a delightful mix of confident and awkward as the titular Simon, and for me, perfectly conveyed the excitement of being in a new relationship and having an inner battle with who he really wants to be. The movie stand alone well on its own, so if you haven’t read the book before seeing the movie, you needn’t worry. It’s a high school drama love story about coming out that will be enjoyed by romantics and non-romantics alike.

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The Bad Beginning Review

ASOUE_1The Bad Beginning (A Series of Unfortunate Events, Book 1) by Lemony Snicket, illustrations by Brett Helquist

HarperCollins, 1999. 978-0064407663

Synopsis: When Violet, Klaus, and Sunny Baudelaire are suddenly orphaned when their parents are killed in a house fire, they are sent to live with their next living relative: a mysterious and cruel man named Count Olaf. The Count is intent upon stealing the children’s substantial fortune and has made no secret of wanting to do away with the children after he has acquired their money.

Why I picked it up: I wanted some context before I dove into the Neflix series, which I have been told by friends is pretty good.

Why I finished it: As promised on the cover, this is indeed not a happy tale or even a tale with a happy ending. Then again, a series entitled A Series of Unfortunate Events can’t necessarily have a terrible lot of positive things happening to the characters. The Baudelaire siblings seem to be heading down a path of obvious troubles and yet, the children can only rely on their wits, cunning, and each other if they are going to be able to escape from Count Olaf. The Count is clearly unfamiliar with child-rearing in any way, shape, or form, as is evidenced by the fact that the three siblings are given only one bed and a pile of rocks to play with. He also has a somewhat villan-ish appearance and manner, evidenced by the numerous references to his shiny eyes, greasy hair, and his house full of unsettling eyes. I was also somewhat disturbed by the lengths to which the Count is willing to go in order to keep the children living in fear, at one point leaving baby Sunny locked in a cage at the top tower of the house. Snicket has a rather unsettling gift for the macabre, and I have to admit that I was a little bit creeped out; yet, that’s part of the idea. We read about the unfortunate orphans and perhaps begin to think that our lives are not so bad, being as most readers’ parents are still living and they live in a nice house with a clean bed and lots of toys to play with. But as I said before, Violet, Klaus, and Sunny are extremely clever children and so we have to hope that they will be able to find a better life away from Count Olaf and that despite the unfortunate things that happen to them, they have each other. I’d probably give it to a reluctant reader, those who are fans of a good ghost story, or readers that enjoy a mystery.

Other related materials: The Reptile Room (A Series of Unfortunate Events, Book 2) by Lemony Snicket, illustrated by Brett Helquist; The Wide Window (A Series of Unfortunate Events, Book 3) by Lemony Snicket, illustrated by Brett Helquist; The Miserable Mill (A Series of Unfortunate Events, Book 4) by Lemony Snicket, illustrated by Brett Helquist; The Austere Acedemy (A Series of Unfortunate Events, Book 5) by Lemony Snicket, illustrated by Brett Helquist; The Ersatz Elevator (A Series of Unfortunate Events, Book 6) by Lemony Snicket, illustrated by Brett Helquist; The Vile Village (A Series of Unfortunate Events, Book 7) by Lemony Snicket, illustrated by Brett Helquist; The Hostile Hospital (A Series of Unfortunate Events, Book 8) by Lemony Snicket, illustrated by Brett Helquist; The Carnivorous Carnival (A Series of Unfortunate Events, Book 9) by Lemony Snicket, illustrated by Brett Helquist; The Slippery Slope (A Series of Unfortunate Events, Book 10) by Lemony Snicket, illustrated by Brett Helquist; The Grim Grotto (A Series of Unfortunate Events, Book 11) by Lemony Snicket, illustrated by Brett Helquist; The Penultimate Peril (A Series of Unfortunate Events, Book 12) by Lemony Snicket, illustrated by Brett Helquist; The End (A Series of Unfortunate Events, Book 13) by Lemony Snicket, illustrated by Brett Helquist; The Beatrice Letters by Lemony Snicket; illustrations by Brett Helquist; Lemony Snicket: The Unauthorized Autobiography by Lemony Snicket; All The Wrong Questions series by Lemony Snicket; The Composer is Dead by Lemony Snicket; illustrations by Caron Ellis, music by Nathaniel Stookey; The Mysterious Benedict Society series by Trenton Lee Stewart, illustrated by Carson Ellis

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Feature Presentation: A Wrinkle in Time

a_wrinkle_in_timeA Wrinkle in Time starring Storm Reid, Oprah Winfrey, Reese Witherspoon, Mindy Kaling, Levi Miller, Deric McCabe, Chris Pine, Gugu Mbatha-Raw, Zach Galifinakis, Michael Peña, André Holland, and Rowan Blanchard

Walt Disney Pictures/Whitaker Entertainment, 2018. Rated PG.

Synopsis: Following the discovery of a new form of space travel as well as Meg’s father’s disappearance, she, her brother, and her friend must join three magical beings – Mrs. Whatsit, Mrs. Who, and Mrs. Which – to travel across the universe to rescue him from a terrible evil. – from IMDB

I’ll be honest, I wanted to be excited about this movie. The novel has several stunning visual elements that I felt would have transitioned nicely to the screen. Sadly, that was not the case. Fans of the book will notice that there are some characters missing from the movie: her twin brothers Sandy and Dennys, and Aunt Beast (who is mentioned in passing, but does not play a role in the film). The Happy Medium is male rather than being female; Calvin is no longer a 14-year-old high school junior with a large family and a cantankerous mother; in the film, Mr. Murry has been gone for four years as opposed to months; Mrs. Whatsit is actually a centaur-like creature (as are the other Missus). It became more apparent to when I was watching the movie just how whiny and unlikable Meg is as a protagonist and a heroine. I understand the theme of learning to understand our faults and embrace them rather than conforming to an idea of what society thinks we should be, but it feels poorly executed. There is a scene in which the Missus show the children the effects of the Darkness on Earth – hate, jealousy, fear, and the like – that conveys humanity’s struggle with their own mortality and that we all fall prey to societal expectations. It’s wonderful, but the director fails to tie it into the rest of the plot. Yes, Meg could use a lesson in compassion, but it doesn’t seem to propel the story forward as it should. The relationships are somewhat awkward as well. Calvin and Meg’s crush on each other was more stilted that it needed to be, Calvin being portrayed as more of a doe-eyed love interest due to his popularity at school rather than the diplomat that will help the group navigate through the web of IT’s lies (for lack of a better phrase). The one bit I did like was that the Drs Murry adopted their children and gives support to the notion of belonging and love being the strongest of emotions. While the film is visually stimulating, the plot fails to hold the viewer’s interest and tell an engaging story, resulting in a movie that left me bored more than entertained.

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A Wrinkle in Time: The Graphic Novel Review

wrinkle_in_time_graphic_novel

A Wrinkle in Time: The Graphic Novel by Madeline L’Engle; adapted and illustrated by Hope Larson

Farrar, Straus and Giroux, 2012. 978-0374386153

Note: The original novel A Wrinkle in Time bears the honor of being the 1963 John Newbery Medal recipient. Any discrepancies between the graphic novel and the original work are the interpretation of the artist who adapted the work.

Synopsis: Meg Murry and the rest of her family have been eagerly awaiting news about their father, who disappeared and has been gone for what feels like forever. Then, three otherworldly women – who have befriended Meg’s younger brother Charles Wallace – tell the siblings that they must rescue their father from the clutches of a Darkness that is threatening to take over the universe. Meg, Charles Wallace, and their friend Calvin O’Keefe are transported via tesseract – a wrinkle in the fabric of time – to rescue Mr. Murry and bring him home.

Why I picked it up: I loved this story when I was in elementary school and I wanted to re-read it before I went to see the movie.

Why I finished it: There have been several classics that have been adapted into graphic novels and this is the first that I picked up. I love that artists are branching out and adapting their favorite childhood stories so that the newer generations can continue to enjoy the novels in a new way. What I love about Larson’s adaptation is the obvious care she took to include as many elements and plot nuances from L’Engle’s book because of its enormous popularity. I remember when I first read the book in elementary school, I was completely captivated by the notion of time travel and the magic of being whisked away to new and exciting places. IT was, and still is, a truly conniving and disconcerting villain, taking over all semblance of a population’s free will. As humans, we exercise our free will almost constantly during the day and the idea that we could be mentally and physically controlled is truly a terrifying thought. Of course, I had also forgotten that tesseract is a geometry term and doesn’t in fact refer exclusively to the glowing box from the first ‘Avengers’ film. If you want to read more about the tesseract and time travel, check out a couple of interesting articles found here and here. Larson’s art has an element of realism, but it is not so realistic that it takes away from the magic and the fantasy of the story. The contrast between the shades of blue to the black and white of the lines and backgrounds gives the story a sort of soft tone despite the dramatic scenes that occur during the novel’s climax. It is a wonderful introduction or re-introduction to this classic science fiction/fantasy book that will continue to be enjoyed by readers of all ages.

Other related materials: A Wrinkle in Time by Madeline L’Engle; A Wind in the Door by Madeline L’Engle; A Swiftly Tilting Planet by Madeline L’Engle; Many Waters by Madeline L’Engle; An Acceptable Time by Madeline L’Engle; Intergalactic P.S. 3: A Wrinkle in Time Story by Madeline L’Engle, illustrated by Hope Larson; Becoming Madeline: A Biography of the Author of A Wrinkle in Time by Her Granddaughters by Charlotte Jones Voiklis and Léna Roy; The City of Ember: The Graphic Novel by Jeanne DuPrau, adapted by Dallas Middaugh, illustrated by Niklas Asker; The Wild Robot by Peter Brown; The Wild Robot Escapes by Peter Brown; The Phantom Tollbooth by Norton Juster; The Outlaws of Time series by N.D Wilson

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